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Title/Composer | Performer | Time | ||
---|---|---|---|---|
L' oiseau de feu (The Firebird), ballet suite for orchestra | ||||
1 | 01:41 | |||
2 | 01:24 | |||
C-Jam Blues, for jazz ensemble | ||||
3 | 00:16 | |||
4 | 00:16 | |||
5 | 00:21 | |||
6 | 00:21 | |||
7 | 00:21 | |||
8 | 00:21 | |||
9 | 00:21 | |||
10 | 00:20 | |||
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34 | ||||
11 | 00:41 | |||
12 | 00:29 | |||
13 | 00:30 | |||
14 | 00:24 | |||
15 | 00:18 | |||
16 | 00:34 | |||
17 | 00:29 | |||
18 | 01:02 | |||
19 | 00:42 | |||
20 | 00:57 | |||
21 | 00:43 | |||
22 | 00:49 | |||
23 | 00:57 | |||
24 | 00:58 | |||
25 | 00:50 | |||
26 | 00:42 | |||
27 | 00:33 | |||
28 | 01:04 | |||
29 | 00:25 | |||
30 | 00:21 | |||
31 | 00:11 | |||
32 | 00:13 | |||
33 | 00:04 | |||
34 | 00:36 | |||
35 | 02:41 | |||
36 | 02:21 | |||
L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard) | ||||
37 | 00:15 | |||
38 | 00:17 | |||
39 | 00:54 | |||
40 | 00:51 | |||
41 | 00:52 | |||
Nutcracker, suite from the ballet, Op. 71a | ||||
42 | 01:06 | |||
43 | 00:30 | |||
44 | 00:30 | |||
Contredanse in E flat major, WoO 14/7 | ||||
45 | 00:20 | |||
46 | 00:27 | |||
Vidimus stellam, alleluia | ||||
47 | 00:22 | |||
48 | 01:20 | |||
49 | 00:27 | |||
50 | 02:08 | |||
51 | 01:18 | |||
52 | 01:47 | |||
Messe de Nostre Dame, mass for 4 voices | ||||
53 | 00:56 | |||
54 | 01:04 | |||
55 | 01:02 | |||
Ave Maria.. virgo serena, motet for 4 parts | ||||
56 | 02:49 | |||
57 | 00:25 | |||
58 | 01:30 | |||
Missa Papae Marcelli, for 6 voices | ||||
59 | 01:34 | |||
60 | 01:54 | |||
61 | 01:18 | |||
62 | 03:11 | |||
Brandenburg Concerto No. 5 in D major, BWV 1050 | ||||
63 | 00:20 | |||
64 | 00:24 | |||
65 | 02:10 | |||
66 | 03:30 | |||
67 | 03:35 | |||
Fugue for organ in G minor ('Little'), BWV 578 (BC J66) | ||||
68 | 01:14 | |||
69 | 00:37 | |||
70 | 02:15 | |||
La favola d'Orfeo, opera, SV 318 | ||||
71 | 02:47 | |||
Dido and Aeneas, opera, Z. 626 | ||||
72 | 00:55 | |||
73 | 04:07 |
Title/Composer | Performer | Time | ||
---|---|---|---|---|
Violin Concerto, for violin, strings & continuo in E major ('La Primavera,' The Four Seasons; 'Il cimento' No. 1), Op.8/1, RV 269 | ||||
1 | 00:31 | |||
2 | 00:42 | |||
3 | 00:32 | |||
4 | 00:37 | |||
5 | 01:13 | |||
6 | 02:32 | |||
7 | 00:48 | |||
8 | 01:19 | |||
9 | 01:23 | |||
Orchestral Suite No. 3 in D major, BWV 1068 | ||||
10 | 00:16 | |||
11 | 00:51 | |||
Cantata No. 140, 'Wachet auf, ruft uns die Stimme,' BWV 140 (BC A166) | ||||
12 | 00:42 | |||
13 | 02:04 | |||
14 | 01:29 | |||
15 | 01:26 | |||
Messiah, oratorio, HWV 56 | ||||
16 | 03:29 | |||
17 | 00:26 | |||
18 | 00:23 | |||
19 | 00:27 | |||
20 | 00:21 | |||
21 | 00:23 | |||
22 | 01:51 | |||
Symphony No. 40 in G minor, K. 550 | ||||
23 | 00:23 | |||
24 | 00:27 | |||
25 | 00:36 | |||
26 | 00:33 | |||
27 | 02:03 | |||
28 | 01:16 | |||
29 | 01:15 | |||
30 | 01:11 | |||
31 | 00:28 | |||
Symphony No. 94 in G major ('Surprise'/'The Drumstroke'/'Mit dem Paukenschlag'), H. 1/94 | ||||
32 | 01:06 | |||
33 | 01:05 | |||
34 | 01:07 | |||
35 | 01:03 | |||
36 | 01:21 | |||
37 | 00:30 | |||
Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525 | ||||
38 | 00:41 | |||
39 | 00:55 | |||
40 | 00:26 | |||
String Quartet No. 4 in C minor, Op. 18/4 | ||||
41 | 00:29 | |||
42 | 00:44 | |||
43 | 00:27 | |||
44 | 02:29 | |||
Symphony No. 5 in C minor ('Fate'), Op. 67 | ||||
45 | 00:17 | |||
46 | 00:24 | |||
47 | 00:21 | |||
48 | 00:18 | |||
49 | 01:23 | |||
50 | 01:17 | |||
51 | 01:35 | |||
52 | 01:30 | |||
53 | 00:54 | |||
54 | 01:06 | |||
55 | 01:58 | |||
56 | 01:02 | |||
57 | 02:21 | |||
58 | 02:38 | |||
59 | 01:46 | |||
60 | 01:27 | |||
61 | 01:12 | |||
62 | 00:41 | |||
63 | 00:36 | |||
64 | 00:28 | |||
65 | 00:28 | |||
66 | 00:32 | |||
67 | 01:41 | |||
68 | 02:38 | |||
69 | 02:31 |
Title/Composer | Performer | Time | ||
---|---|---|---|---|
Don Giovanni, opera, K. 527 | ||||
1 | 03:05 | |||
2 | 01:03 | |||
3 | 01:09 | |||
4 | 00:24 | |||
Piano Concerto No. 23 in A major, K. 488 | ||||
5 | 00:34 | |||
6 | 00:24 | |||
7 | 01:12 | |||
8 | 02:28 | |||
9 | 01:51 | |||
10 | 03:16 | |||
11 | 01:52 | |||
Erlkönig ('Wer reitet so spät'), song for voice & piano, D. 328 (Op. 1) | ||||
12 | 00:56 | |||
13 | 00:07 | |||
14 | 00:25 | |||
15 | 00:24 | |||
16 | 00:41 | |||
17 | 01:39 | |||
Carnaval for piano, Op. 9 | ||||
18 | 00:15 | |||
19 | 00:29 | |||
20 | 00:43 | |||
21 | 01:23 | |||
Liebst du um Schönheit, song for voice & piano, Op. 12/4 | ||||
22 | 00:26 | |||
23 | 00:20 | |||
24 | 00:21 | |||
25 | 00:51 | |||
Nocturne for piano No. 2 in E flat major, Op. 9/2, CT. 109 | ||||
26 | 00:25 | |||
27 | 00:26 | |||
28 | 03:17 | |||
29 | 02:45 | |||
Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste..en cinq parties'), H.48 (Op. 14) | ||||
30 | 00:27 | |||
31 | 01:11 | |||
32 | 02:35 | |||
33 | 00:36 | |||
Vltava (The Moldau), symphonic poem (Má Vlast No. 2), JB 1:112/2 | ||||
34 | 01:10 | |||
35 | 01:49 | |||
36 | 00:56 | |||
37 | 01:21 | |||
38 | 03:21 | |||
39 | 01:13 | |||
40 | 01:45 | |||
Symphony No. 9 in E minor ('From the New World'), B. 178 (Op. 95) (first published as No. 5) | ||||
41 | 01:52 | |||
42 | 00:32 | |||
43 | 00:31 | |||
44 | 01:05 | |||
45 | 00:30 | |||
46 | 01:34 | |||
47 | 03:05 | |||
Symphony No. 3 in E flat, B. 34 (Op. 10) | ||||
48 | 01:45 | |||
49 | 01:38 | |||
50 | 02:27 | |||
La bohème, opera | ||||
51 | 03:55 | |||
52 | 04:27 |
Title/Composer | Performer | Time | ||
---|---|---|---|---|
Die Walküre (The Valkyrie), opera, WWV 86b | ||||
1 | 00:19 | |||
2 | 01:07 | |||
3 | 00:53 | |||
4 | 02:53 | |||
5 | 00:28 | |||
6 | 00:48 | |||
7 | 00:59 | |||
8 | 00:30 | |||
Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86 | ||||
9 | 00:43 | |||
10 | 00:51 | |||
11 | 01:40 | |||
12 | 01:17 | |||
13 | 01:48 | |||
14 | 01:17 | |||
15 | 02:03 | |||
Le Sacre du printemps (The Rite of Spring), ballet in 2 parts for orchestra | ||||
16 | 03:02 | |||
17 | 00:18 | |||
18 | 00:40 | |||
19 | 00:46 | |||
20 | 00:30 | |||
21 | 00:50 | |||
22 | 00:51 | |||
23 | 00:26 | |||
Pierrot lunaire, melodrama for voice & chamber ensemble, Op. 21 | ||||
24 | 01:42 | |||
A Survivor from Warsaw, for narrator, male chorus & orchestra, Op. 46 | ||||
25 | 03:48 | |||
26 | 00:50 | |||
27 | 01:23 | |||
Pieces (5) for orchestra, Op. 10 | ||||
28 | 01:31 | |||
Concerto for Orchestra, Sz. 116, BB 127 | ||||
29 | 00:35 | |||
30 | 00:28 | |||
31 | 00:22 | |||
32 | 00:45 | |||
33 | 00:48 | |||
34 | 01:06 | |||
35 | 02:34 | |||
Symphony No. 1 ('Afro-American') | ||||
36 | 00:14 | |||
37 | 00:16 | |||
38 | 01:02 | |||
39 | 01:22 | |||
40 | 00:32 | |||
Appalachian Spring, ballet for 13 instruments | ||||
41 | 00:34 | |||
42 | 00:26 | |||
43 | 00:51 | |||
44 | 00:24 | |||
45 | 00:17 | |||
46 | 00:37 | |||
Sonatas and Interludes, for prepared piano | ||||
47 | 00:49 | |||
48 | 01:23 | |||
Poème électronique, for tape | ||||
49 | 02:33 | |||
50 | 00:11 | |||
Concerto grosso | ||||
51 | 00:34 | |||
52 | 02:09 | |||
Short Ride in a Fast Machine, fanfare for orchestra | ||||
53 | 01:05 | |||
54 | 00:40 | |||
55 | 01:13 | |||
56 | 01:15 | |||
57 | 02:54 | |||
Hotter than That, for trumpet & ensemble | ||||
58 | 00:43 | |||
59 | 00:36 | |||
60 | 00:35 | |||
61 | 00:23 | |||
62 | 00:15 | |||
63 | 00:29 | |||
West Side Story, musical | ||||
64 | 01:25 | |||
65 | 02:14 | |||
Ompeh, for traditional African percussion (Ghana) | ||||
66 | 00:50 | |||
67 | 00:39 | |||
68 | 00:34 | |||
Maru-Bihag | ||||
69 | 00:36 | |||
70 | 01:56 | |||
71 | 01:52 |
Title/Composer | Performer | Time | ||
---|---|---|---|---|
Violin Concerto in E minor, Op. 64 | ||||
1 | 01:20 | |||
2 | 01:12 | |||
3 | 02:25 | |||
4 | 01:28 | |||
5 | 01:32 | |||
6 | 04:04 | |||
Tango Suite for 2 guitars | ||||
7 | 01:03 | |||
8 | 02:46 |
Roger Kamien Music Appreciation Pdf Download Torrent 2016
blue highlight denotes track pickBook author: Roger Kamien
Brief introduction:
Music: An Appreciation,6/e is an exciting new revision of the most widely used text for the non-majors Introduction to Music or Music Appreciation courses. Instructors have made Kamiens Music: An Appreciation the leading book because of its..
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- ISBN
- 9780073526560
- Publication date
- Nov 06, 2006
- Age range
- 18+ Years
- Book language
- ENG
- Pages
- 704
- Format
- PDF, FB2, FB3, TXT
- Quality
- Extra high quality OCR
- Dimensions
- 8.00 (w) x 10.30 (h) x 1.20 (d)
Some brief overview of this book
Music: An Appreciation,6/e is an exciting new revision of the most widely used text for the non-majors Introduction to Music or Music Appreciation courses. Instructors have made Kamiens Music: An Appreciation the leading book because of its thorough coverage including world music,because of its unsurpassed supplements package including multi-media software,and because of its unsurpassed supplements package including multi-media software,and because of its easy-to-follow Listening Outlines keyed to the recording packages. Non-majors especially appreciate that Kamien pprovides them with a variety of ways to follow the Listening Outlines: written descriptions,musical notation,time counts.
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Roger Kamien Music Appreciation Cd
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A few words about book author
Roger Kamien received his B.A. in Musicology from Columbia and his M.A. and PhD. from Princeton. Kamien taught for 2 years at Hunter College and for 20 years at Queens College, where he coordinated the music appreciation courses. In 1983, he was appointed to the Zubin Mehta Chair in Musicology at The Hebrew University of Jerusalem. In addition to Music: An Appreciation, Prof. Kamien has written numerous articles and reviews, co-wrote A New Approach to Keyboard Harmony, and edited the Norton Sed to the recording packages. Non-majors especially appreciate that Kamien pprovides them with a variety of ways to follow the Listening Outlines: written descriptions,musical notation,time counts.